Never See Your Face Again When Its Oh So Sad Because You Were My Friend Deadlights

It: Chapter Ii has been out for over ii weeks and made over $385 meg then far, so I experience like now, finally, I tin can address the biggest problem I take with the film.

"The ending," equally many characters in the motion picture like to bespeak out to horror author Bill Denbrough (James McAvoy), "sucks."

That line is a recurring in-joke for Stephen King fans. King has received his fair share of criticism over the years, and 1 of the more pervasive accusations is that his set up-ups are arguably better than his pay-offs. It is probably one of the improve examples, with a terrifying and seemingly universal nightmare nearly childhood fears coming to life culminating in a weirdly specific mythological ritual involving infinite turtles and a somewhat underwhelming confrontation with a giant spider.

I knew all of that was coming in It: Chapter Two, so I was ready for the sequel to venture into weirder territory than the first half. What I didn't know was that, on top of all that strangeness, the filmmakers had decided to throw in one make new wrinkle that retroactively sullied the whole moving-picture show that came before it.

Which brings me to Stanley Uris, played in Information technology: Affiliate One by Wyatt Oleff and in the follow-up by Andy Bean. In the 2d one-half of the story, when Pennywise the Clown reemerges and The Losers Club is recalled to their hometown to finish what they started, anybody returns except Stanley. That's because Stanley opts to kill himself rather than confront the horrors all over over again. He gets the phone call, he immediately goes upstairs, he draws himself a bath, and he ends his own life.

Information technology's a horrifying tragedy, and it also serves a dramatic function. It reminds united states that although the Losers defeated Pennywise at the end of Affiliate 1, that confrontation took its cost, and even the thought of going through information technology once more may exist as well frightening to deport. The stakes are raised correct at the beginning of the film, the Losers are already down one fellow member, and although we know he'due south not omnipotent, information technology may be harder to defeat Pennywise at present than it ever was before.

But, equally nosotros acquire at the very end of It: Chapter 2, we didn't see Stanley's whole story. In the new movies, Stanley didn't kill himself because his recovered memories were too much to deport, or because he was and then frightened that he made a terrible, instinctive pick. No, information technology turns out – equally Stanely himself reveals in handwritten letters he sent to all the other Losers – he killed himself in an human action of pure logic.

Stanley explains that he knew he would be a liability to The Losers, and that his inability to overcome his fears would put them all in danger. So instead of returning to Derry with the rest of his quondam friends, he made the calculated conclusion to kill himself, just so information technology would exist easier for his childhood chums to murder a demon clown.

In the moving picture Neb reads Stanley's alphabetic character and smiles, because plainly it gives Stanley's tragic demise a heroic purpose. But it doesn't. Information technology takes the straightforward plot indicate from the original story and makes information technology nonsensical. And, frankly, information technology makes Stanley, The Losers, and the film, look worse.

Call back, Stanley killed himself because he thought he was too afraid of Pennywise to do what had to be done. But he isn't agape to end his own life. The very fact that he'due south making a calculated decision to cede himself – with plenty premeditation to handwrite letters to all his old friends, "rationally" explaining his seemingly irrational decision – proves that he was totally capable of doing scary things to end Pennywise.

It likewise suggests, depending on your perspective, that this character anybody loves didn't care very much for his married woman and family. Stanley originally concluded his own life of a sudden, while completely overwhelmed with fear. In the new version he does so out of bravery, and with enough forethought to explain himself to all of his friends.

That'southward all well and skilful for The Losers, merely what about Stanley's married woman? She'south the one who he knows volition find him in the bathtub, in a puddle of blood. If, as the motion picture suggests, Stanley's decision was completely rational and non a articulatio genus-wiggle act of terror, that means he either didn't retrieve about the trauma his discovery would inflict on his married woman, or he didn't care. He could have prepared her somehow. He could have washed the deed where anyone else could have found his body. Heck, he could have faked a car accident for insurance purposes, in order to leave her well cared for. Instead she'south apparently an afterthought. Nosotros take no show that he left his wife a note like the ones he left for The Losers, and even if he did he probably left out the demon clown stuff, so she may live the residue of her life without ever really knowing what happened.

Stanley's death would be terrible plenty for his wife and family anyway. The revelation that information technology was premeditated, and conceived only every bit a means of doing expert, is completely torpedoed by the fact that it's an illogical plan. Again, the reveal is that he was really very brave and self-sacrificing, and so it stands to reason that he was also more capable of returning to Derry (although, again, his noble intentions apparently didn't extend equally far as the adult female he was sharing his whole life with).

Simply worst of all is the statement that Information technology: Affiliate Two seems to be making, that Stanley's suicide is somehow a proficient thing, because information technology makes life easier for his friends. That is a horrifically irresponsible approach to dramatizing a very serious issue. You lot can't end a picture show with your protagonists smiling and thinking that their friend killing himself may have been for the best. It makes The Losers look insensitive as hell, and information technology potentially conveys a message to the audience that killing yourself could be a rational response to dealing with childhood trauma.

That. Is. Not. True.

It's not truthful in real life, and it doesn't ring true dramatically in this context. Information technology is frequently celebrated for its sincere delineation of people suffering from trauma as children and as adults, but treating suicide like a smart play instead of every bit a terrible tragedy isn't worth jubilant. It'due south a sour note on which to finish this otherwise impressive story, and it turns what should accept been a simple, running gag about disappointing endings into a dire alarm about only how badly It: Chapter Two falls apart in its very last minutes.

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Source: https://bloody-disgusting.com/editorials/3585327/stanley-effect-ending-chapter-two-doesnt-work-spoilers/